Chapter 11

The Use of Emptiness

三(sān)十(shí)辐(fú)共(gòng)一(yì)毂(gū),当(dāng)其(qí)无(wú),有(yǒu)车(chē)之(zhī)用(yòng)。

埏(shān)埴(zhí)以(yǐ)为(wéi)器(qì),当(dāng)其(qí)无(wú),有(yǒu)器(qì)之(zhī)用(yòng)。

凿(záo)户(hù)牖(yǒu)以(yǐ)为(wéi)室(shì),当(dāng)其(qí)无(wú),有(yǒu)室(shì)之(zhī)用(yòng)。

故(gù)有(yǒu)之(zhī)以(yǐ)为(wéi)利(lì),无(wú)之(zhī)以(yǐ)为(wéi)用(yòng)。

James Legge · 1891 · Public domain

The thirty spokes unite in the one nave; but it is on the empty space (for the axle), that the use of the wheel depends. Clay is fashioned into vessels; but it is on their empty hollowness, that their use depends. The door and windows are cut out (from the walls) to form an apartment; but it is on the empty space (within), that its use depends. Therefore, what has a (positive) existence serves for profitable adaptation, and what has not that for (actual) usefulness.

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